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Rule of thirds
States that the main centres of interest in the picture should be positioned on or near an intersection of thirds. Apply this as in a high or low horizon line or with a person to the side. This better directs the eye into the rest of the picture.
Leading lines
Says that some other element of the picture should lead the eye towards the main subject. A leading line will draw the eye around the picture and can consist of a number of configurations such as straight lines, curves or S shapes.
Framing the Image
With overhanging branches, a window, a doorway, with clouds...all limit the field of view and call attention to the subject. This is one of the simplest ways to create perspective since it brings depth to the shot.
Viewpoint
Changing your point of view can simplify a composition. High up gives you more foreground and a birds-eye perspective. Getting down low in relation to your subject increases the size and importance of any foreground matter and creates a more intimate feel to the shot. You may also be able to hide unwanted material.
Look again
Practise organising and including only important subject matter in the viewfinder. You'll discover that you may need to move closer or farther back, to get down low or move up high, step to the right or left, or change lenses.
Selective focus
Involves using a large lens opening or a telephoto lens to throw the foreground out of focus, thereby placing greater emphasis on your subject. Selective focus works best in high-contrast situations, so look for light and dark areas, sunlight and shadows.
Filling the Picture Frame
Strong shots often have prime subject(s) dominating the picture area. When a subject is too small, it gets lost in the composition. Telephoto lenses bring subjects closer to the film without you moving. Wide angles allow you to get close for a more intimate effect.
Vertical Versus Horizontal
Most cameras are more comfortable to hold in the horizontal position. But the opportunities for vertical compositions are just as numerous and shouldn't be overlooked. Certain subjects are custom made for this format.
Skewing the point of view
Tilting the camera so that it records your subjects on the diagonal is a way to introduce a feeling of speed, movement, and action to your compositions. Diagonal lines tend to be dynamic and suggest movement.
Keep it simple
Fill the frame. Avoid unwanted clutter. Go for bold strong compositions. Concentrate on the subject matter.
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